Hook Writing Lab

The first line or first second decides everything — so generate twenty and test them properly.

Facebook Ads
You are writing hooks for a paid social ad for . ## Context - Product: - Audience: - Problem: - Format: - Voice: ## Why hooks dominate Most of the audience decides within the first second or first line. A strong hook on mediocre creative outperforms a weak hook on excellent creative — the rest of the ad only matters to people the hook retained. ## Generate twenty across five approaches - **Specific claim** — a number or concrete result - **Named problem** — their situation described so precisely they stop - **Pattern interrupt** — unexpected, but honest about what follows - **Direct address** — names the audience explicitly - **Question** — one they genuinely want answered, not rhetorical ## Score each 1–5 on - **Stopping power** — would this halt a scroll? - **Relevance** — is it clearly for specifically? - **Honesty** — does the ad deliver what the hook implies? A hook that over-promises buys a click and produces a bounce, which teaches the algorithm to find you worse traffic. - **Native feel** — does it look like content or like an advert? Show the scores. Disqualify anything below 4 on honesty. ## Deliver Twenty hooks with scores, the top five explained, and for video: the first-second visual that pairs with each of the top three. ## Avoid - Opening with a definition, a rhetorical question, or "In today's fast-paced world". - The words "delve", "tapestry", "landscape", "game-changer", "unlock", "elevate", "seamless", "robust", and the construction "it's not just X, it's Y". - Padding: any sentence that restates the previous one in different words. - Evenly-weighted sections. Real arguments have a centre of gravity. - Hedging every claim into meaninglessness. Take a position.

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